Margaret Qualley enjoys date night with husband Jack Antonoff after revealing surprising career ambition

Margaret Qualley and her husband Jack Antonoff were spotted enjoying a sweet double date with Taylor Swift and Travis Kelce in New York City this weekend.

On Friday night, the Maid star, 30, was spotted descending the steps of BondST Restaurant wearing a burgundy wool knee-length coat that she kept tight around her neck amid the chilly weather.

A hint of red could be seen underneath the neckline of the coat, while black tights and black flats completed her winter look.

Antonoff, 40, wore a gold shirt with jeans and a black jacket and had his trademark small glasses with oval lenses.

He is known as the frontman of the pop band Bleachers and as a music producer, having first started working with Swift, 35, in 2013.

The couple even had a double date night, meeting the Cardigan singer and her boyfriend, NFL tight end for the Kansas City Chiefs, Travis Kelce, 35.

The actress looked the spitting image of her mother Andie MacDowell in the photos.

Margaret is currently receiving praise for her role in the body horror film The Substance, but that’s not the kind of film she wants to continue making.

“I think I’ve been in a lot of obscure, artsy films,” she said Vogue Australia.

‘And they’re not really the films I like to watch. And I think I want to participate in things that I would like to see.”

She noted that ideally she wants to keep her clothes on and still be alive at the end of the film.

“The bar is low,” she added.

Her favorite filmmakers are Nancy Meyers and Richard Curtis, who directed Four Weddings and a Funeral, which her mother co-starred with Hugh Grant in 1994 – the same year Margaret was born.

“I’m really looking forward to a rom-com,” she declares. “I’m manifesting.”

Margaret, 30, descended the steps of a brownstone in a burgundy wool knee-length coat that she kept tight around her neck amid the chilly weather

A hint of red could be seen below the neckline of the coat, while black tights and black flats completed her winter look

In the same interview, Margaret also talked about the intensity surrounding the film adaptation of The Substance.

Margaret revealed that filming The Substance was “very difficult” because there was little room for imperfections and there were many scripts for it.

Although the film aims to tackle the issue of impossible beauty standards in Hollywood, Margaret said the filming process itself was very “precise”.

‘[Director Coralie Fargeat] wasn’t looking for happy accidents, it’s so controlled, so precise,” she explained.

‘It was quite a challenge to photograph, because I get a lot of pleasure from being in free fall, from the feeling that anything can happen at any time.’

During the filming of The Substance, Margaret wore prosthetics in the film’s bloody third act and had to sit in the makeup chair for six hours every morning while they were applied and two hours every evening when they were removed, a process she says ‘tension.’

She said her husband, who proposed to her during filming, would call her every day to check in on her and said she was grateful he was there for support.

“I stayed up all night because I was afraid of the prosthetics,” she admitted. ‘I would be so afraid of it…’ [Jack] called me to check in because times were tough.”

Margaret is currently receiving praise for her role in the body horror film The Substance, but that’s not the kind of film she wants to continue making. Seen here with Demi Moore on October 27, 2024

“I think I’ve been in a lot of obscure, artsy films,” she told Vogue Australia. Seen here with Demi Moore on October 19, 2024

Margaret has a full slate of films coming out in 2025, starting with the queer comedy Honey Don’t, which she co-created with Ethan Cohen.

This is followed by the thriller Huntington with Glen Powell and then the Richard Linklater drama Blue Moon with Ethan Hawke, which is set on the opening night of the musical Oklahoma!

She also appears in Happy Gilmore 2 with Adam Sandler, which she talked herself into because she loves the original film.

She shot all four films back to back in 2024.

‘I took a year off [in 2023]. “I haven’t worked at all,” she said. “I think that gave me a big sense of, well, I’ve got to get the hang of it now. So I fucking floored it! And now I’m very tired.’