Jodie Turner-Smith wows in a colourful gown at the Riget Exodus (premiere in Venice

Jodie Turner-Smith and Alessandra Ambrosio both exuded elegance on Thursday as they graced the red carpet of the Riget Exodus (The Kingdom Exodus) premiere during day two of the 79th Venice International Film Festival.

British actress Jodie, 35, looked ravishing in a multi coloured gown with a dramatic train which she accessorised with an array of sparkling diamonds.

Meanwhile supermodel Alessandra, 41, posed up a storm in a bejewelled number which hugged every inch of her incredible figure. 

Jodie showcased her toned arms as she slipped into the stylish frock which accentuated her incredible hourglass figure as struck a pose for the cameras.

The actress opted for a glamorous make-up look with a metallic shimmer, while wearing her raven locks in a 1920s inspired wave. 

She completed the ensemble with a diamond choker as well as pendant earrings as she toted a chic lavender clutch. 

Alessandra posed up a storm in the ensemble which had been embellished blue with sequins and metallic fringe. 

The cleavage enhancing bustier showcased her ample assets as she carried the dress’ colour story into her accessories. 

The Brazilian model chose blue crystal earrings and a matching pendant as she accentuated her natural beauty with a smokey eye and glossy lip.

The stunner let her luscious locks cascade to her shoulders in voluminous curls as she slipped her feet into towering silver heels.  

The horror series is a follow on from the 1990s series and is helmed again by Danish director Lars Von Trier follows the spooky goings on at a Copenhagen hospital. 

The official synopsis reads: ‘An enormous organism of flesh and blood has materialised itself in The Kingdom’s rooms and corridors. On a dark and stormy night, the sleepwalking Karen senses something is wrong and travels to The Kingdom to search for answers. On her arrival, she discovers that the hospital is suffering and that she is the only one, who can free The Kingdom from its torment’.

‘At the same time the Swedish doctor, Helmer Junior, is newly employed at The Kingdom. He soon starts to feel a denigrating attitude from his Danish colleagues. Being a Swede, he puts his foot down and launches new approaches on the ward, such as total gender neutrality, which has almost fatal consequences’.   

‘But evil gets in the way with even bigger and more horrifying plans. The time has come, it is going to happen: Exodus. It is now that the spirits surrounding the hospital shall be divided into the light and the dark, and the gate localized and opened’. 

‘It is now the air must be cleared of the big flock that never sleeps. When good men, who undoubtedly master science and state-of-the-art modern technology fail, and even the gatekeeper himself becomes too weak, it is up to Karen to carry the seemingly impossible task through a battle with pride and stupidity. 

‘Now, more than ever, we must all be prepared to take the good with the evil, as the gateway to the Kingdom is once opening again’. 

Attracting the biggest stars, Venice Film Festival is held annually on the island of the Lido in the Venice Lagoon. With movie screenings taking place in the historic Palazzo del Cinema on the Lungomare Marconi. 

‘But what still prevails is the feeling that “Cinema still wants to try to explore ways of thinking, big themes and big questions, the profound relationships that tie people to one another, the power of feelings and memory and the ability to push one’s gaze beyond the horizon of the present.”.

The Venice Film Festival is the world’s oldest and was first founded in 1932, celebrating filmmaking from around the world. 

It will continue until September 10 when there will be a closing ceremony.