Pamela Anderson puts on an elegant display in white blouse and midi skirt for screening of The Last Showgirl

Pamela Anderson looked stunning at the special screening of The Last Showgirl at The 92nd Street Y in New York City on Tuesday.

The 57-year-old actress presented herself elegantly in a white button-up shirt, which she tucked into a linen midi skirt.

She added inches to her height while wearing nude, suede pumps with a high stiletto heel.

She no longer used accessories or jewelry for an understated, sleek look.

The Baywatch star – who opened up about her turbulent relationship with her parents – swept her platinum blonde hair into a low ponytail and showed off her bare face.

At the venue, she joined director Gia Coppola for a special screening of The Last Showgirl and a live taping of Josh Horowitz’s Happy Sad Confused podcast.

The former Playboy model and Coppola discussed the nuances of creating her character Shelly, a Las Vegas showgirl facing an uncertain future.

For the special occasion, Coppola – the granddaughter of Francis Ford Coppola – wore a blue button-down blouse, a black blazer jacket and straight-leg jeans.

She also talked about her return to Hollywood more than three decades after she first appeared in Baywatch.

She explained how she channeled elements from her own life to play a glamorous, seasoned showgirl, who must make plans for her future when her show abruptly closes after a 30-year run.

Originally released on September 6, The Last Showgirl also stars Dave Bautista, Kiernan Shipka, Brenda Song, Billie Lourd, Jamie Lee Curtis and many more.

Over the weekend, Anderson joined her co-star Curtis and Coppola and opened up about how she got the role in a conversation with Entertainment weekly.

When Anderson got her hands on Kate Gersten’s script, she said she was immediately drawn to the character, who takes her art form very seriously despite everyone reducing her to a sexual object.

The 57-year-old actress presented herself elegantly in a white button-down shirt, which she tucked into a linen midi skirt

She added inches to her height while wearing nude, suede pumps with a high stiletto heel.

She no longer used accessories or jewelry for an understated, sleek look. The Baywatch star swept her platinum blonde hair into a low ponytail and showed off her bare-faced beauty

“I’ve never read a script that had me reacting like that; no one sent me anything like that,” she said. ‘I read it and thought: I have to do this. It’s life or death. It’s very important.’

At the film’s premiere at the Toronto International Film Festival in September, she said she had been “preparing for this role my whole life.”

“Having a beautiful, messy life is an incredible thing to draw from, and sometimes I look back on my life and think, I could have done this differently, but it takes the life experience to be able to look back and see those things to be able to say,” she said.

“I really love the acting profession and I took a lot of private lessons, and ultimately I felt like this was an opportunity for me to put that into practice,” she added.

Anderson added that she was able to focus “a thousand percent” on the project since she is single and her two sons are grown.

At the venue, she joined director Gia Coppola for a special screening of The Last Showgirl and a live taping of Josh Horowitz’s Happy Sad Confused podcast.

The former Playboy model and Coppola discussed the nuances of creating her character Shelly, a Las Vegas showgirl facing an uncertain future

For the special occasion, Coppola – the granddaughter of Francis Ford Coppola – wore a blue button-down blouse, a black blazer jacket and straight-leg jeans

‘I have nothing to lose. And what if this is the last movie I ever make, or the only movie I ever make?’

She said she saw the role as an opportunity to “see what I’m made of.”

“I knew I was capable of more than I had in the past, and I had kind of given up and went home and thought, ‘Oh, it’s too bad. I screwed up.’ I didn’t work hard enough, or people just see me a certain way because I fell into the traps,” she said.

‘I want to be defined by what I do and not by what has been done to me.’