Top actress looks UNRECOGNISABLE with rotten teeth and face tattoo in BTS snaps from their new Netflix show – but can YOU guess who it is?

This top British actress looked unrecognisable when she traded her glamorous dresses for rotten teeth and face tattoos in her Netflix series KAOS.

The star shared behind-the-scenes snaps of their bizarre character on Instagram, showing them looking into the camera with dramatic eye makeup and wild, matted hair.

After rising to fame as a teen pop star, this household name blasted into space for a sci-fi film, then went on to star in everything from a posh call girl to The Bride of Frankenstein.

She wrote and directed her own film and also made a series about Sky as a former singer and struggling actress, in which she pokes fun at her own personality.

But do you know who it is?

This top British actress looked unrecognisable when she swapped her glamorous dresses for rotten teeth and face tattoos in their Netflix series KAOS – can you guess who it is?

The star shared behind-the-scenes snaps of their bizarre character on Instagram, as they stared into the camera with dramatic eye makeup and wild, matted hair

The star shared behind-the-scenes snaps of their bizarre character on Instagram, as they stared into the camera with dramatic eye makeup and wild, matted hair

Of course, it's none other than Billie Piper who plays the Greek goddess Cassandra in the new Netflix series, which is a modern take on Greek mythology.

Pictured earlier this week

Of course, it’s none other than Billie Piper who plays the Greek goddess Cassandra in the new Netflix series, which is a modern take on Greek mythology

Of course, it’s none other than Billie Piper who plays the Greek goddess Cassandra in the new Netflix series, which is a modern take on Greek mythology.

Billie shared a bunch of selfies on her Instagram and wrote: ‘The gods are f****** mad. Come and watch our show, available now on @netflixuk’.

The series, starring Jeff Goldblum, Janet McTeer and Suzy Eddie Izzard, was hailed by critics as “an absolute triumph” after the “madcap” dark comedy hit Netflix on Thursday.

The eight-episode series from The End of the F***ing World creator Charlie Covell has impressed experts with its modern take on Greek mythology.

Hollywood star Jeff plays the power-hungry Zeus in a tracksuit. His “effortless” performance and “crazy charisma” leave viewers wanting more.

The series follows his character, who wakes up one day to find a wrinkle on his forehead, which he believes is a sign that an ancient prophecy predicting his downfall is coming true.

iNews wonders why no one has cast Jeff Goldblum as “the king of the gods” before, since he can relate to the character “so well.”

TV editor Emily Baker gave the series four stars, noting: “An explosion of colour and detail that could at times resemble a Versace advert. It’s a big budget, not a crazy journey through ancient Greek mythology. No classical backdrop required.”

The series, which also stars Jeff Goldblum, Janet McTeer and Suzy Eddie Izzard, has been hailed as

The series, which also stars Jeff Goldblum, Janet McTeer and Suzy Eddie Izzard, has been hailed as “an absolute triumph” by critics after the “madcap” dark comedy hit Netflix

Billie shared a bunch of selfies on her Instagram, which looked worlds different from her usual self

Billie shared a bunch of selfies on her Instagram, which looked worlds different from her usual self

Billie clearly had fun as she immersed herself in her role

Billie clearly had fun as she immersed herself in her role

She captioned the post: 'The gods are f****** mad. Come and watch our show, now available on @netflixuk'

She captioned the post: ‘The gods are f****** mad. Come and watch our show, now available on @netflixuk’

In The StandardIn the four-star review, Vicky Jessop writes: ‘This is easily the most insane series the show has released in a long time.’

She adds: ‘The show is an explosion of creativity that almost jumps off the screen, punctuated by sharp bursts of humour and pathos.

“The story is insane, the energy is frenetic, and the performances are bizarre. But it all comes together and the end result is a glorious explosion of firework energy. Just what you need to chase away those fall blues.”

The Hollywood Reporter praised the “impressive cast and brash tone,” but said there was “little investment in substantive development.”

They write: ‘The series becomes a near-constant stream of fun bits and pieces, tied together by an overly aggressive soundtrack and an intrusive Promethean voiceover in lieu of any real story.

In The Standard's four-star review, Vicky Jessop writes: 'This is surely the most insane series it has released in a long time'

In The Standard’s four-star review, Vicky Jessop writes: ‘This is surely the most insane series it has released in a long time’

Starring Jeff as a power-hungry Zeus in a tracksuit, his

Starring Jeff as a power-hungry Zeus in a tracksuit, his “effortless” performance and “crazy charisma” has left viewers wanting more

The Hollywood Reporter praised the

The Hollywood Reporter praised the “impressive cast and brazen tone” but said there was “little investment in substantive follow-up”

‘Every Goldblum line you read is a little treasure. Especially in today’s political climate.’

The Telegraph praises the black comedy as a ‘lavish retelling of the Greek myths.’

Jasper Rees comments: ‘It all looks beautifully expensive, even without a lot of special effects. The musical palette also travels throughout the store, from Mozart to Bowie via Enya.

“When Zeus takes the form of Jeff Goldblum, we are clearly in the realm of neurotic comedy.”

In The guardThe five-star review praised the series as “witty, accurate, fiercely intelligent, funny and brutal.”

Lucy Mangan writes: ‘Hilarious, profound and moving, this fantasy series is an unmitigated triumph. The story of Zeus and coexistence in the modern age is intelligent, twisty and action-packed.

“It’s an absolute triumph – thank Covell and the gods.”

KAOS: What do the critics say?

The Telegraph

Judgement:

Jasper Rees praises the black comedy as an ‘exuberant retelling of the Greek myths’.

He adds: ‘It all looks beautifully expensive, even without a lot of special effects. The musical palette also travels throughout the store, from Mozart to Bowie via Enya.’

The Standard

Judgement:

Vicky Jessop writes: ‘This is definitely the most insane series to come out in a long time.’

She adds: ‘The show is an explosion of creativity that almost jumps off the screen, punctuated by sharp bursts of humour and pathos.

“The story is insane, the energy is frenetic, and the performances are bizarre. But it all comes together and the end result is a glorious explosion of firework energy. Just what you need to chase away those fall blues.”

The guard

Judgement:

The publication describes the series as “witty, accurate, fiercely intelligent, funny and brutal.”

Lucy Mangan writes: ‘This fantasy series is an unmitigated triumph. The story of Zeus and modern coexistence is intelligent, intricate and action-packed.’

news

Judgement:

TV editor Emily Baker notes: ‘An explosion of colour and detail that could at times resemble a Versace advert. This is a big budget film, not a crazy journey through ancient Greek mythology. No classical backdrop required.’

Radio times

Judgement:

Louise Griffin says it’s “hard to imagine anyone else in the role of Zeus” and praises Jeff Goldblum’s portrayal.

She continues: ‘With its fantastic cast and surprisingly dark subject matter, Kaos brings something completely new to the table.

‘KAOS draws the audience into a disturbing, funny and poignant story and surprises us with a soundtrack that is divine. The film manages to sustain the eight episodes, culminating in an epic and, again, surprisingly dark final part.’

Financial Times

Judgement:

According to the publication, Jeff brings “his usual goofy charisma” to his “effortless” portrayal of Zeus, but adds that the series struggles to create a story arc.

THe concluded: “Ultimately, Kaos is too plot-driven and diffuse to be a lighthearted diversion, too archaic and meta to be genuinely invested in. It may be an imaginative take on old stories, but it’s unlikely to become a classic.”