Julianne Moore and her husband Bart Freundlich share a kiss as they arrive at the airport in the Hamptons

Julianne Moore and her husband Bart Freundlich share a kiss as they arrive at the airport in the Hamptons

Julianne Moore and her husband Bart Freundlich enjoy a romantic getaway to the Hamptons.

The longtime couple arrived at the airport in the tony enclave on Friday and marked it down with a sweet kiss.

The Still Alice star, 62, rocked a classic summer look in white trousers and a white blouse.

The Boogie Nights actress covered her famous red hair with a white ball cap and dipped her feet in a pair of brown Birkenstocks.

The Academy Award winner carried a wicker tote bag and a Louis Vuitton backpack.

Sealed with a kiss: Julianne Moore and husband Bart Freundlich enjoy a romantic getaway to the Hamptons. The longtime couple arrived at the airport in the tony enclave on Friday and marked it down with a sweet kiss

Summer break: The Still Alice star, 62, rocked a classic summer look in white trousers and a white blouse.  The Boogie Nights actress covered her famous red hair with a white ball cap and dipped her feet in a pair of brown Birkenstocks

Summer break: The Still Alice star, 62, rocked a classic summer look in white trousers and a white blouse. The Boogie Nights actress covered her famous red hair with a white ball cap and dipped her feet in a pair of brown Birkenstocks

Bart, 53, also looked ready for the weekend break in stone-colored trousers and a red T-shirt.

The As The World Turns alum met the Myth Of Fingerprints director in 1996 when she starred in his film about a dysfunctional Thanksgiving gathering of a New England family.

The couple welcomed their son Caleb, 25, in 1997 and daughter Liv, 21, in 2002. They were married on August 23, 2003.

Moore has appeared in all of Freundlich’s feature films except Catch That Kid (2004), The Rebound (2009), and Wolves (2016).

When Freundlich cast the role of Mia in Myth of Fingerprints, he was looking for “someone who had a lot of complications, a lot of sadness under the surface, and portrayed very, very little of it to her face.”

He recounted the moment he made contact with Moore to the New Yorker in 2017.

She stood outside in the cold and wind without a coat while filming The Myth of Fingerprints.

“I came over to her and stood with my back to the wind. I didn’t want her to be cold, and I didn’t want to put my arm around her or smother her because I didn’t know her very well.

“Even though I couldn’t have put it into words at the time, I understood that I could keep her warm to some degree. But then the rest would be for her to do,’ he explained.

Meet Cute: The couple met in 1996 when Bart directed Julianne in The Myth Of Fingerprints (pictured here at the 2021 Tribeca Film Festival)

Meet Cute: The couple met in 1996 when Bart directed Julianne in The Myth Of Fingerprints (pictured here at the 2021 Tribeca Film Festival)

Family: Julianne and Bart welcomed their son Caleb in 1997 and daughter Liv in 2002 before getting married in 2003 (pictured here at the 2022 Met Gala)

Family: Julianne and Bart welcomed their son Caleb in 1997 and daughter Liv in 2002 before getting married in 2003 (pictured here at the 2022 Met Gala)

Love: Moore has appeared in all of Freundlich's feature films except Catch That Kid (2004), The Rebound (2009), and Wolves (2016) (pictured here in 2019)

Love: Moore has appeared in all of Freundlich’s feature films except Catch That Kid (2004), The Rebound (2009), and Wolves (2016) (pictured here in 2019)

And he revealed the secret of their nearly three-decade-long romance: “We connected at that point on an unspoken level, where she knew I saw and understood that flame in her, and was willing not to stifle it but to protect it.” ‘

Freundlich went on to talk about what it’s like to direct Moore.

“She’s one of those people for whom the portal up there is open, so you guard it the same way you would guard your family, by being very careful about your boundaries.

“I pictured it as a pilot light—this little flame that’s inside her. If she doesn’t let it get blown out by all the talk and ideas being expressed on set, she could ignite it at any time. Her number one job is to protect that, even if it means harassing you as a director,” he explained.